Following the success of her first one-queen show, Smoke & Mirrors, Sasha Velour presents The Big Reveal Live Show. Directed, written, and produced by Velour, this new 90-minute show is her most over-the-top, side-splitting, emotional, and intricate theatrical production–and still her most intimate show yet. Velour presents an immersive evening of drag, storytelling, and live art, featuring shocking new reveal-filled performances from Velour herself in a show that will have you screaming with laughter at the start, and openly weeping by the end.

WHAT TO EXPECT: Velour is known for her emotional, thoughtful, and crowd-shaking reveals and The Big Reveal Live Show is no exception. She reveals just as much as to herself as she does to the audience, featuring a blend of self-discovery, spectacle, camp, intimate storytelling, masterful comedy, and her most shocking reveals to date. Grounded in classic theatre, the show takes on different forms over the course of 90 minutes: artful oration, childhood film footage (including her first drag performance as a kid you have to see to believe), drag performances, video art, more. The show’s music ranges from Stevie Wonder to Britney Spears, Stephen Sondheim to Deep Purple.

PLAYFUL COMEDY: Known for thought-provoking and cerebral performance art, The Big Reveal Live Show is Velour at her most playful and hilarious. From the show’s whip smart comedic script and side-splitting gags, she uses comedy as a way to disarm audiences and hit them with emotional truths.

SASHA DEFINES CAMP (OR MORE ACCURATELY–EMBODIES IT): The word “camp” has become an overused and misunderstood buzzword amongst the chatter of social media. While some may try to ground its meaning in Susan Sontag’s “Notes on Camp” (which became the Met Gala theme in 2019), The Big Reveal Live Show shows Velour taking audiences even further to its inherently queer roots through each rousing number, fully EMBODYING camp. Ben Brantley (former longtime New York Times theatre critic) put it best: “In ‘The Big Reveal,’ Sasha Velour defines, demonstrates and defends camp, putting both Christopher Isherwood and Susan Sontag in their places.”